Filed under film

Avatar: Not quite a revolution.

Avatar.
(Note: I give the story away, so please don’t read if you want to see the film…)

I’ve got to say…for Hollywood, this film comes very, very close to the revolutionary borderline – thought it definitely does not cross. It’s inspiring to see the essence of indigenous life painted so poetically and in 3D! The spirit and the landscape of Pandora, the Na’vi people, the language, the animals, the flora and fauna…all of it is just miraculous. It looks and feels like how life should be here on earth – at least how it exists in the minds of fantasists like myself. Avatar succeeds in honorably relaying the heart of life and love as it exists in Indigenous people. For the first half of the film, I was totally in love.
The critique of American military, big business and even scientific research is keen – a sigh of relief from the Michael Beys of the world. I’m glad the film was so clear (without being too on the nose) about dissecting the imperial process by using language contemporaries understand. Redefining the word “terrorist” from an Indigenous-sensitive lens on a blockbuster major motion picture event platform is a noble step. Throughout the film, we were rooting for the Na’vi. The big bad USA was a cruel tyrant. An evil and sick, mindless, heartless dictator of the worst kind of philosophy.
But in the end… the story was Dances With Wolves and The Last Samurai all over again. Meet these rich Indigenous people. Love them. Enter White man, give him a couple of months to get the hang of things, and bOoM! He’s running thangs, emasculating the Indigenous male characers – who consequently, all die – leaving him to, of course, become leader of these hopeless people.

It reminds me of the many wars that are going on in our world today – born of greed by way of a desire to deplete the world’s natural resources – imperialists plotting and planning an attack – sexual warfare (sleeping with the chief’s daughter) – sympathy – white guilt – NGOs and human rights organizations – the dilemma – “being the voice for the people” vs. being a microphone…

Stream of consciousness…let me explain:

I’ve seen the work of “Western” people who attempt to fight for the protection of Indigenous people. They are around, doing the hard work, and I give them much credit. But oftentimes, I’ve also seen people get on their own high horses, wanting to become saviors and Jake Sullys. They become so self righteous that they loose sight of the very people they are fighting for, and in essence, they become subtle machines of the cultural genocide they think they are trying to cure. They cannot deny the blood-work of their fathers in destroying God’s people and enforcing Eurocentrism the world over. This war is great and has been going on for a long, long time. It is simply white supremacy. In 3D.

The question I would ask Jim Cameron is: Once you recognized that you were following the formula of “white man leads the natives”, were you comfortable with the decision to stick to that theme? Are you comfortable now?

here’s a great article that goes a little deeper.

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For the children…

If you see this poster, than you’ll see me there – Thur. Dec 17th 6-10pm.
Food, drinks, music, art, video..fun, fun, fun!

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La Vie En Rose

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Marion Cotiallard’s performance as Edith Piaf in La Vie En Rose is a tremendous occasion for the cinematic theatrical arts. The film itself bends time and space magnificently – exactly the artwork I needed for inspiration on how to script the second edit of my documentary film The Diamond Project – a work in progress. Right now I’m stuck on figuring out my denouement. How will this film end? It is a short film. I want it to be in the 6 – 8 minute range. Maximum ten. It is a work in progress, and right now, I am up at 2:30 in the morning unsure of how it will end. I need to sleep because I have an edit session tomorrow for work at 10am – and I need to stop by the office to pick up tapes first before heading over to the edit facility. And strangely, no matter how much I eat tonight, my stomach still feels ever starved. Tonight it’s almost as if the more I eat, the hungrier I get! Strange. I’m befuddled. I think I’ll drink a bunch of water and lay my head down.

And dream about my film and how the story will end. Difficult since the actual “story” in real life is no where near over. But then again, what story ever is?

Back to High Art + Gender and the Film Industry

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So I’ve been busting my boot-ay lately, grinding on different shoots – paid gigs and from the heart projects of mine, and collaborations. It’s a pretty high time creatively in my corner.
What’s been bothering me, though, is the way gender plays out on shoots. During the “school year” I’m usually inundated with education-based creative environments and I’ve also been going to the non-profit and public media worlds as a source of income for film projects. But 2009 (or “two thousand mine” as my friend Taagen calls it) has been the year of creativity for me. I’ve decided to make some changes in the work I produce, going back to my high art roots. I guess I’d produced one too many social documentaries and needed some conceptual, abstract, avant garde in my life. I hadn’t seen it since the early part of the decade.
What’s resulted are video art projects, experimental shoots, working with more art department stuff on music videos and photo shoots and coming up, my first performance art/video art collaborative show next Wednesday at Webster Hall. Yeah.
Its all very fun, but what’s happened is that now I’m back in the fold of “the industry” – completely different from the non-profit/pubic media/children’s media/education world. There’s no politically correct filter. People in the commercial film/tv industry are unrefined like raw sugar. But I’m accustomed to maple syrup.
On a recent shoot, I ran into a woman I used to work with back in the days. She was a producer on this particular project. As always, she is on top of her game – thorough, kind, considerate, timely. She gets the job done and does it well, with grace and ease. That’s why she’s a producer. But why is it that certain men who she outranks exceedingly still refuse to give her due respect? Maybe they’re just a-holes who don’t know the meaning of respect – wrong! The same guys who mistreat a female producer will give much higher respect to a male production manager.
I hate that this is still an issue, mainly because I hate complaining. But it really is atrocious and unfair. I always notice that there are mostly men on the majority of film/video/photo shoots. The industry is still very obviously male dominated and its rare that any of these men check their male privilege, particularly on set.

I’ve been dragging my feet on forming the all female film collective, but I must not drag any longer. I’m getting it started. I think September will be our kick-off month!

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Trends I’m Sick of:

Please don’t get me wrong, some trends are cute and rockable. Others are hideous. And some, no matter how high or low on the fly scale, are so ubiquitous, they make me want to vomit. Case in point…

These jeans:
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Ironically enough, I don’t mind this over-ripped style on white jeans, which was introduced in Spring 08.

These shoes:

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They’re not cute. Just stop.

These shades:
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Just put them away. You’re not cool because you wear these!

…had to get that out. A-hem! Now in other news…

I’ve recently been going through hours upon hours upon hours of footage from a documentary I began back in 2005. I took a two-year hiatus from this project (during which time I launched a youth film workshop center ((Lesedi)) and directed/produced a documentary film on survivors of domestic violence ((Strength of a Woman)), among other things) and now, I’m back! This film is my baby. I’m reluctant to go into too much detail about the project at this time, but I will give you a hint: it’s got many facets….

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New York State Senate’s Reaction to My Film ‘Strength of a Woman’

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Last week the Coalition for Women Prisoners ventured up to Albany for Advocacy Day, to encourage legislators to support the Merit Time Bill (a bill that would expand merit time eligibility for survivors of abuse in prison, thereby allowing them to serve shorter sentences and more quickly begin the process of healing from abuse and reconnecting with their families and communities. Currently, people incarcerated for violent offenses are not eligible for merit time).
A copy of the film Strength of a Woman (directed by yours truly) was screened that day in front of some very influential people in NY State politics; Sen Hassell-Thompson, Sen. Perkins, Sen. Montgomery and Assemblymember Weinstein. To say the very least, they were moved. Sen. Bill Perkins even admitted that he’d been thinking about changing regulations surrounding Domestic Violence but hadn’t really been proactive. After seeing the film he said that now he’s going to be taking domestic violence regulations more seriously.
It’s so wonderful to see the film in motion, doing what it’s supposed to do.

We all can do our part to get the Merit Time Bill passed. Send a quick note to these senators encouraging them to support the Merit Time Bill;
Senator Perkins,
Senator Hassell-Thompson,
Senator Montgomery,
Assemblymember Weinstein

The message can be as simple as: Thank you for supporting the Merit Time Bill for survivors of abuse who are in prison.

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I’m Almost at 10,000 YouTube Views…

…doesn’t that count for SOMEthing?

I mean, aren’t I an authority on culture by some standards? Can at least get 3 minutes of fame off of this? Ha!

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